Thursday, March 22, 2012

The Story of Sorry

Our society has been constructed in a way where people heed words and terminology with far more traction than emotions and ideas. In politics, this could be the dreamer who is allowed support until it's finally realized that he's essentially a socialist. We see it in schools with final judgement being given in terms of grades and tests rather than cumulative expression and participation. On an even more basic, everyday level, it's the daily interactions that people hold, and the artificial groups that people form to shut others out, as well as to differentiate themselves from others with mundane words and labels. I think that manners also fit in this category, as many people don't seem to have a thorough understanding of politeness past the initial list of words used repetitively in social situations.

I was raised to adhere by politeness, taught expressions like please, thank you, excuse me, and sorry, and to always practice respect, especially toward those older than me. It was a basic, yet necessary part of my existence, but around fourth grade, my politeness went in a pretty satiric direction. I became instinctively triggered to use the word sorry in just about every situation, not just those that could potentially offend, but any instance where I even interacted with a person. I look back, and see it as a high wall that I had caged around myself, and eventually a solid case of obsessive-compulsion. It become so habitual that it was something that I was infamous for throughout the rest of elementary school. Sometimes people thought it was cute, but I think that was with the individual sentiment, and every time I said it, often over and over again, it felt like it drained a little bit of the human out of me. One of the last straws was going to camp the summer after 5th grade, and seeing a skit around the campfire where they acted someone out, and we had to guess who that person was. The utterance of "Soory, soory, soory", with my trademark 'double o', made it fairly obvious. That word became a crutch.

As I unconsciously started to let go of my troubled constant apologies, I began to understand that often times, it didn't matter what you said, or even how you said it, but what it came down to was intention. I think that a lot of people are raised to act by certain standards, but they never learn what those standards mean in terms of themselves, and how to weave it into their own lives and mindsets, instead of just piling it on top and calling it practice, action, or belief. It's like, you have to have a foundation of emptiness in order to allow particular notions to mold with your process of thinking. I'm as polite than I've ever been, if not more due to constantly growing, and it's because I've become a different sort of instinctual about it. I can't put a number on times that I express verbal gratitude in a day, but it really doesn't matter, because I think my manners are an efficient part of my personality, and the way that I deal with other people one on one. This doesn't mean that I don't say things like please and thank you, it's just that everything is so subjective, that I can become a chameleon and adapt through action, saying particular sentiments when I know that they will make an impact. It becomes easier to connect with people, I believe, when you are both able to disregard terminologies and let actions speak for themselves, like a secret that both parties mutually understand. There is, however, one word that I usually refuse to verbalize, let alone think. A single word or thought can have an impact on your entire psyche, so to change and minimize your process of thinking or speaking is to cut clutter. At first, I began to cut the number of times that I said sorry in a day, trying to limit it in regards to authenticity. With that, and with age, my perspective began to encompass this understanding that everything happens for a reason, and that to say sorry was holding up a barrier, refusing to learn from mistakes. This isn't always the case, of course, and with societal expectations it seems inhumane to completely cut the word out of your vocabulary, but I also think that it's like an act of defensiveness and a refusal to gaze life straight in the eyes.
The word sorry can hinder your feeling of timelessness, the ability to live in the present moment. If used in moderation it's the occasional reflection, but when saying the word profusely becomes a habit, it's like constantly being dragged back into the past. I don't think it would really make sense to calculate the time lost as an argument, but life has the potential to be meditative and maintaining composure within the Now without necessarily looking behind or into the future definitely counts for something. Living in the moment is also a chance at ecstasy, true bliss. Again, this is akin to meditation, and I think it relays a feeling of happiness. I'd actually be interested in seeing a study comparing how frequently people use the phrase "I'm sorry" and their daily levels of happiness. There would need to be a function to differentiate people who had once said, "I'm sorry," from people who had never, for that would most likely make a difference, the smaller the number the more fascinating in regard to the study. Quantitatively, I believe that there would absolutely be a difference between the "apologizers" and their previously afflicted counterparts, of course with outliers, and that the numbers would be much smaller with the latter group.

Historically, social norms have always existed as they reflect the collective mind playing influence above the individual, which is natural in a society cohabited by man. Slang and dialect, like every aspect of culture, can branch out within a society if enough people immerse themselves, so of course these becomes instances of social normalities as well. There's a funny cause and effect reaction when a person's personalities, attitudes, and beliefs cannot be separated from the individual's action, in either direction. They become indistinguishable, and it's hard to tell which one affected the other. A society saturated with apologetic people has so many defenses up that it's difficult to make progress, as if we're not open to disagreement, which makes it impossible to change and progress. There was an article in the New York Times opinion page about politician Newt Gingrich's reaction to a joke that Robert De Niro made about first ladies. Gingrich's response was that it was "inexcusable and the president should apologize for him." This depicts a pretty great representation of what the American people have come to truly be about. It's like society has disregarded the entire idea of a means in favor of the ends in almost every situation. Every thought seems so definite, like it's either good or bad. That leaves a lot of room in between untouched. Progress, of a nation or an individual, requires balance, tolerance, and the ability to both imagine and act upon a dream. Honestly, I believe that Gingrich's comment shows how the media and politics have becomes more cluttered than ever before. It's like tabloids, seeking resolutions for even the tiniest bit of conflict. Every single action requires a letter to the man upstairs, telling your mother every time somebody acts independent of the status quo, and at 68 years old, goddamn it!

I'm not trying to call out manners in general, I just think that they represent a step in the level of growth for humanity. It's like a musician learning an instrument through scales and practicing technique, but eventually finding his own flow and branching through that. Practice ethics to becomes an ethical human being, and I think the playing field stretches as far as the eye can see. At a certain point, allow ethical thought to become inherent and unsaid, free flowing actions that represent ethics and respect. It's a crutch and a paradox, in that to be sorry is to be untruthful either to the other person by lack of sincerity, or demeaning by calling yourself out. Be the judge of your own actions and let acting ethically be a part of who you are. I think that "Judge not lest ye be judged" of Matthew 7:1-5 in the Bible doesn't dissuade a person from judging, but it states that judging subjectively demands one to look at themselves as well from the same perspective as their other critiques, practicing respect by looking down.

Monday, March 19, 2012

Electronic Music

"In the year 3030, everybody wants to be a DJ," a lyric from Del the Funky Homosapien's album 3030. Delton's work is a concept hip-hop album about living and producing music in the year 3030, and fighting off the huge corporations that rule the Earth. As the years have progressed, it's easy to say, that when it boils down to it, 3030 is now! The ability to create through a variety of tools and resources is at the layman's finger tips, and the term DJ has become a household terms with programs like Sound Cloud and Band Camp, where users are able to post, exchange, and sell their work with the feedback from a large user community, extending to even some larger producers.

This continuous evolution of music has been bubbling ever since humans learned how to create auditory art, but it's been moving light speed just like everything else, since the ability to record sound was discovered in the late 19th century. I see a combination of the two main branches of popular music, classical (more straight forward, pre-created, hard...) and jazz (more impromptu, soft)*Obviously, there are more differences than just these, but I feel as if they are parallels in terms of music*, occurring through rock music, with metal being a direct extension of classical, and then into this strange, new super-genre of dance music, as well as hip-hop. It was like the song was always built on a certain 4/4 template, a basic drum track that seems like the foundation for a create-your-own song program. The magic in this format is that it's continuing today and branching into something wild and revolutionary! We've encountered Delton's prophesized (or maybe witnessed) age of individual creativity, especially through electronic music.
Words and music are inevitably strictly translation. You can never translate an emotion or thought as purely as the mind alone can, for we can exhuberate anything within a dream, but to channel it is to cut corners, for the experience becomes partially inauthentic in its nature. It's impossible to truly translate between languages, as each dialect interprets spoken work in a different light. It takes a unique and individualized skill to switch between languages easily, and a special gift to fluidly translate out loud for other people. I'd call it being a link between poetic tools. This is why we regard superb artists with so much respect at their abilities, for they are translators of the divine and they sculpt the flow. Imagine a sculptor, cutting away into emptiness to form his piece. Everything already exists, for mind and creativity is existence itself. It just takes the special artist to dig it out of the void. The coolest part is that anyone can be a poet, an artist, by learning how to maneuver whatever makes them happy, learning how to configure the flow through life and compassion.

That 4/4 back beat is the tip of the iceberg that brings together most electronic music, and it allows a certain style to be configured in our heads, with the ease of simply switching from track to track, like CDs. Not just everybody can access this self-mastery of music creation, but it's available for the world to mess around with, and lots of music making software is around from Garage Band on Apple computers to Ableton Live, a popular program for music creation and real-time production. I've seen friends of mine, some with not as much musical experience pick up a program and develop their own sound within months. It's pretty rad hearing the translations of the unique minds of young musicians, and with practice comes growth! If I find things that I like I tell people about it, so I can help talented artists gain popularity, and it's awesome to help promote your friends! Here are some beautiful sounds, created by good friends of mine from high school:

(((shwex)))Ω Mumukshu Ω
Codemeist
(((ॐPatchFooTॐ)))
Tree͒Bone
Aaron J Levin
Profesher

The history of music has alternated between being independently minded to working through collaboration, and often a combination of both. The bard is an archetype, with singer-songwriters throughout history. Conductors are the puppeteers behind classical music, big band jazz, and also visible in certain bandleaders, but the contemporary playing the same role is most definitely the DJ. He or she guides the flow like a wizard, with each individual song controlled and modulated by the work of the fingers acting as an extension of the mind. We've already it in certain artists, but I think the future of music is in collaboration, and therefore an exponentially quick paradigm change in culture, with parents in both of the two genres previously mentioned, classical and jazz. EOTO revolutionizes this, a band consisting of the two drummers from jazz-bluegrass jam band, The String Cheese Incident, based out of Colorado. Michael Travis and Jason Hann create improvised electronic music on the spot, traveling within their own style of infinity with Travis on on various keys and instruments and Hann on a drum set, both of them linked in real time through individual computers using Ableton Live. The best part is that they tour essentially every night! I highly recommend attending one, if not more of their shows, as just being there allows you to help participate and mold the experience. The crowd controls their shows, communicating with the two on stage as they channel the music and speak back to the crowd in dirty bass and funky rhythms. Their ability as a group has been constantly evolving too, and they're easily able to access whatever genres of electronic, and music in general, that they seek out, ranging from dubstep, to down-tempo, to jazz, to bluegrass. The limit is there imagination, and I don't think you can ever really hold that back! As they travel from venue to venue, they seem to represent the magic of each place through flow, and from experience, I can tell you that a show in Minnesota is going to be different from a show in Colorado, which is different from a show in Washington. I've got dozens of their shows on my iPod, and they'll play anything from straight jazz to this 3-day festival that they played in Hawaii! Festivals galore, a whole 'nother story in themselves (See my post 'Portland Ride Share')!

Dave Tipper seems to do just the opposite of EOTO live extravaganza. Rather than produce the sounds through live improvisation, he creates the sound using real instruments and messing with waves, to construct the perfect sounds, and then he'll mix on stage using him pre-recorded material, at least, not until he's released a killer album! Tipper doesn't tour nearly as much as EOTO, as he's generally in the never ending of his own musical laboratory. His sounds are naturalistic, and they're so crisp they could fit in your pocket!

Tipper

I like EOTO's idea, and they throw an unbelievable party, yet they know as well as anybody else that they are still searching for the perfect balance between live and digital, to create the ultimate improvised experience. DJ tracks, like Tipper, have no limitation in their spacial quality besides the artists themselves, as the sound is all coming from one place. To see a DJ live is like seeing someone playing with a musical box on stage, the ones where you crank the handle and the music comes out. As odd of a concept it is, the DJ controls the crowd as if he's playing with a marionette. Everybody has a different experience as we all have separate perspectives, but maybe the future of collaboration and music will allow each viewer to form the show and sounds in a way where they can channel their imagination at the same time, and even with, the artist. Whatever it is, I think that electronic music and all of the artists behind it deserve respect in the same manner that any visionary, poet, and creator does. It's an auditory painting, but it doesn't have to be limited to just that! Painters will sometimes accompany the musician on stage to draw their own expression of the music, and there are even shows that are designed to be visual experiences as well (like light and laser shows). The Zebbler Encanti Experience is an audio/visual duo, whose work appeals to more that just one of the senses. Zebbler, who also does the visuals for EOTO's tours, works with producer Encanti to make some pretty fat tracks.

Zebbler Encanti Experience

It's cool to be a witness to musical evolution in progress, and to see the ties that contemporary rhythm & funk has to worldly music of the past millennia. We'll all see how it progresses, at least within our own lifetimes, but to participate and create is to partake in a revolution. There are not limits to creation, so I believe that any art form has access to reconstructing and interpreting music in its own way. The revolution will not be televised, so cut out the middle man that is your consciousness and sense of doubt, and upgrade your grey matter through imagination, creativity, and the balance of universal collaboration!

I have more to add to this/edit when I have some time.

Sunday, March 18, 2012

"If Twitter Is a Work Necessity"

Apart from channeling the drive to construct this blog, and my Flavors.me account (http://flavors.me/edwotica), the class that I'm currently taking, Digital Humanities, is a continuous conversation regarding the merging of the digital world and the ability to think, create, and interact as human beings. I really like this, as the internet not only represents this vast tool, but it also can be how we relate, network, and communicate within the moment, with both ourselves and our global community.

Over spring break, our assignment, besides the construction of our personalized 'Flavors' pages, was to read the article If "If Twitter Is a Work Necessity", and write a response using quotations from the writing to support the use of a unified web presence.

I think, that like most contemporary human beings, there is a division between this idea of too much and too little interaction, and sometimes the difference can be either under- or over-whelming, depending on the mood, and desire for socialization of the individual. It's a world of opportunity, but it's easier now than ever before to get swept away in the collective network of the digital age. I wrote this response to the article, and I really like what I had to say. This is only a snippet of writing, but I'd like to continue on this topic on and off whenever I have some time! Society has become the internet, and in terms of creativity, collaboration, and paradoxically, individual freedom, we are entering a golden age of interaction:

In a quickly moving world, it takes a sort of dedication to be able to ride the flow of technology and mass social interaction, however, at the same time, to be able to represent yourself as an individual in a world of seemingly group consciousness is an ability that can entertain, as well as enlighten, becoming more of a hobby in addition to a digital skill. In reading the article “If Twitter Is a Work Necessity”, I saw several examples of people, both young and old, becoming informed in how to best present themselves, and mingle within the digital world. I especially liked the timelessness presented in the article, as it reigns true. The Earth, in both nature and technology, is an organism with no boundaries or limits. If a direction must be labeled, it’s constantly moving forward, but the ability to be and grow through individual effort and connection with others stems from the singular, and networks to create a vast image of humanity and a digital society. “He emphasized, ‘There is no timeline tweeting me questions.”
“The timeline is the rest of our lives,’ he said.” A quote from the article by chief executive officer of Likeable, Dave Kerpen, he is implying that an individual’s timeline for networking has no bounds, as it exists within the vastness of the internet and their own mind. As we live collectively on planet Earth, we are able to treat our lives as a chance at collaboration, and therefore, we essentially live one communal life, helping each other to learn and grow, and allowing our artwork of progress to represent humanity. It’s what excellent story, threaded by the individual’s desire to accommodate to the whole, string by string.
“As part of the course, industry leaders, who often appear at major digital conferences, deliver their presentations online during a webcast. At the same time, she says they still offer students small online workshops and one-on-one guidance with instructors who give them advice for whatever specific social media project they are doing.” This is another excerpt from the article, and it shows how people are able to connect by whatever means that they wish. Online interaction is getting smoother, and differences in location are becoming meaningless. With programs like Skype, Facebook, various chat rooms and other social networking sites, we are able to collaborate face to face, and even face to face to face to face, etc. There are no limits, and a team can easily go from somebody working alone, to somebody working as a group, sometimes even still from the confines of their own home. This constant ability to interact can seem golden, but as we continue to shape and glisten our connecting abilities, I think that the next big step will be coming back to our roots, and finding a means of isolation and true independence throughout a world easily cluttered by group thought. When a balance is created, home will become a synergy between introversion and extroversion, and the ability to turn on and off on a whim, and truly ride with the wind, shifting with the smallest, yet most significant vibration.

Friday, March 16, 2012

Ride Share

I've picked up rides with strangers, through hitch hiking a couple times and then through mutual friends, like once to a festival in Colorado, but something that I'd looked into but never actually tried has been the Craigslist Ride Share. On my trip to Portland over spring break, I managed to jump in a car both down from Tacoma on the 12th, and then back up from Portland today, on the 16th.

Like everything else on Craigslist, people can post commodities that they have to offer (radios, concert tickets, babysitting abilities, apartments, sexual favors, rides, etc.), as well as particular things that they are searching for (watches, rides, roommates, sexual favors, babysitters, etc.). People have been using Craigslist as a localized network for online resource exchange since around 1996, when it quickly grew in popularity, and it's been huge ever since, almost as more of an underground community though. It's localized in that there are separate categories and search engines depending on your location, by city and county. Part of the reasoning for it being more underground is because there is a certain controversy behind the site's use due to the impending threat of "Stranger Danger." Anybody has the chance to be a potential victim, just being in the wrong place at the wrong time in exchange with the wrong person. Obviously, some people are risk takers, especially those that use sites like Craigslist (or they could just be oblivious to said risk, but there's a lot of education around internet safety nowadays), which is why these sites are able to run, for in a sense, the people are truly the products. In any case, there have been several occurrences of "Craigslist Killings", and common sense should be used, especially when dealing with people...always carry a gun :P
http://en.wikipedia.org/wiki/Craigslist_killer

The night before, after we spontaneously decided to travel to Portland, I searched the Seattle-Tacoma area for rides heading to Portland for the next day. I emailed a few, and for a majority I received fairly immediate positive responses. We ended up going down with a guy with a green Suburu, carrying a bike on top. His name was Bernard, a computer science graduate from the University of Illinois, and we were accompanied by Anna, going to Olympia, and Emma, also heading for south east Portland. We spent a majority of the trip listening to "Wait, Wait, Don't Tell Me" podcasts from NPR.

At the end of the week, again, I ran a search, but this time I only emailed one name. We met up with Tony, a burlesque performer, and his girlfriend, a belly dancer. The couple were very open, and we had good conversation, and easily joked around. They chatted in a lewd, yet respectful way, and it was funny to listen to what they had to say to each other.

Both trips ran incredibly smoothly, and we were with good company going both down and up, but I think that when you're surrounded by strangers, the fun comes from making it a memorable experience. The easiest way to do this, besides pouring hot wax on the driver's lap or removing articles of clothing whenever someone says a particular word, is by conversing in a humorous way. Every relationship is different, be it someone you can talk with seriously, or a friendship in which you both can make each other laugh. Not that an exchange with a stranger can't be a serious interaction, but neither members really expect much out of the other besides that extended moment of a two hour or so drive. To make each other laugh is to make the trip a healing experience, as not only does laughter forget boundaries, but it's also the best medicine (in case you didn't know!).

I don't mean to make the Ride Share experience sound superficial, because I don't think it needs to be. People put a label of falsity on exchanges over the internet, like in forums and marketplaces, but those are legitimate interactions, especially when both participants are willing to put themselves into the relationship. Ride Share is a trading of resources, and therefore acts as a gateway into the networking process. It's a world of connections, so to interact with someone is an opportunity to call them up in the future if need be, and add them to your subconscious address book. The sense of humor to initially jump start the relationship is a way to come together harmoniously, but if you feel that instinctively, this connection will get you somewhere, or even if you have something to offer the other at some point in one of your lives, then hold onto the name, and reflect back when that time comes. It's funny, but you each have already pierced each others stories; your bubbles have bounced. You will never truly separate from each other's histories now, as you both happened!

I think of exchanges like this, and real world social networking, as a sort of means for the existence of music festivals, not that festivals aren't a means in themselves! By means, I mean an opening of possibility for meeting new people, and then a plane for the relationship that surpasses the real world! The internet is like a festival in itself, in that many social boundaries and wall are torn down. Festivals are communes, and are bridging the gap between societal expectations and free love! I see lots of people who are used to the reigns of society attending festivals and treating them like an amusement park, which there is nothing wrong with, but the potential of these gatherings is to let free of all bounds, and to create together in unity. Some people live for festivals, and during the summer, there lives become the Festival Express, hopping from one event to the next, and even following groups, sort of like Dead Heads. I've found that the most cost effective way of doing this is through volunteering: sacrificing a day to help pick up trash, take tickets, or just to refresh the atmosphere of the park. You get a free or less expensive ticket in exchange for your contribution to the festival. It seems like it would be difficult to be a regular without this kind of behind the scenes plan! (For those of you in or around the mid-west U.S area late May, check out my "First Post" for a couple awesome, smaller festies.)

I digress, and jump from idea to idea, but part of the reason I wanted to talk about festivals was because Tony's girlfriend was a belly dancer who was going to performing at Symbiosis Gathering, which is like a Burning Man in that they don't release the entire artist list before the event. This is one of the festivals of the year, and is held in Nevada in May to celebrate the coming solar eclipse. I'm not attending this particular party, but I know some people who are, as well as a number of the performers, and woo hee, it'll be quite the time! I think that it's cool when the festivals are what bring people together inside, as well as outside the event. When I heard that she was dancing at Symbiosis, you bet that I had a lot to say, and some recommendations of musicians to check out!

Maybe the moral of the post is that no matter who you run into, be it on the internet or in a make shift ride down to Portland, you can usually find something that'll connect you and the other person, be it an interest in festivals or just an appreciation of a sense of humor. I like to say, I wish the world consisted of "Me" and "You", because it would make everything so much easier. The archetypal relationship can be fit with whoever is demanded in the situation, like in my case, the "You" can be a certain friend, my mother, my dog, the cashier at a grocery store, a man on the street, etc. With this mindset, your individual respect will be shared with whoever the particular partner in the moment is, and you're also protecting yourself, by not becoming susceptible to all of these different incoming energies possible when you're attention isn't focused on one thing at a time. From this point on, when you think of one, you can extend it to mean something larger, but at the same time, it can never be bigger than the respect that you give yourself, and therefore, the respect that you give a partner. To be a public speaker is to allow your attention to face a crowd, and I think that for most talented speakers, they look at the crowd not primarily as a load of individuals (only, I suppose it takes a combination between the trains of thought), but rather, as one whole, and a partner in terms of interaction.

Until next time, Edward

Thursday, March 15, 2012

Earth and Co-creation

Seeing Earth 'in' space, not 'from' space!

Absolutely stunning! This paints the composite image of our shared experience on our home planet. Just watching this video gives me a feeling of co-creation with my fellow human being, collaborators with nature on Earth and in our Universe! Being alive, we all have the ability to see whatever we're supposed to see as individuals, and then the opportunity to unfold our soul and share.

Every action is significant, as it rides into each and every reaction, and so on... Taking that apart, life is a masterpiece-creating through imagination, improvisation, interaction. It's becoming thoughtless and timeless, reveling in the unity of collective experience. Isn't that what true creation is? The ends and means existing as one in the same, cause and effect blending into a unified being. I'm in a class called Tantra & Alchemy right now, and we're learning the differences between yoga and tantra. I think that yoga is the individual practice of concentration, essentially training the mind to let go through exercise and focusing on the null, while tantra is the flow manifested in life-everything as nothing, and therefore, nothing as everything. Tantra is the cumulative image of art, that constant creation process that stems from existence itself. Visual art, music, writing, cooking, conversation, sex, and as a whole, life on planet Earth. To follow the Tao is to be neutral, the middle ground between thought and action.

A way to perceive non-duality is by acknowledging your own thought process. When you look at something, say, a tree, do you view the tree and then think to yourself, "Hey, a tree!" If there is a dog about to be hit by a car, is it appropriate to think "That dog is about to get hit by that car!" when there is indeed time to act and rescue the dog? Whenever I've read about people's experiences with situations that demand instantaneous reactions, like car crashes, they become almost super-human, and act without thought. It takes training, or better yet, unlearning, to trust yourself. Rather than to think in response every time your senses are stimulated, become instinctual instead, riding with the flow, rather than placing barriers between every interaction with yourself and with the world. Become one with the world, and one with the flow! Not only will you become a direct manifestation of you, letting your action define your experience (blending of cause and effect), but you will have rediscovered the childlike innocence of not doubting yourself and your creating abilities. This flow is where musicians and artists find themselves when they are jamming with their instruments, creating beauty and harmony on Earth. As Mahatma Gandhi stated, "Be the change that you wish to see in the world." Do not think, for thinking wastes energy that could be better spent. Nike has got it right: "Just Do It."

Wednesday, March 14, 2012

Hawthorne Avenue-Portland



I spent the day walking around Portland, starting with the Oregon Museum of Science & Industry (OMSI). It was supposed to be aimed more toward children, but I think that's just a way to say that the exhibits invoked imagination and interaction rather than just cold hard facts. That being said, most of the areas were closed off for some reason so I spent an hour or so exploring the cumulative "Miracle of Birth"/"Thinking Animals"/"Nanotechnology" demonstration. It's too bad how subdued school makes me feel sometimes, because I was just kind of floating along, or maybe I just felt like there was nothing I needed to learn. I knew a lot about most of the demonstrations that I viewed (I was interested in nanotechnology through the book The Singularity Is Near by futurist Ray Kurzweil, which I read in high school), but I also think that at a certain point in your life you seem to close off a lot, besides the subjects that you're really passionate about, that is, until new doors start to open up. I guess you just have to keep digging holes...

Still in the museum, I checked out the Planetarium, where I sat in an IMAX-type theater and shown a view of the early spring night sky through a projection on the ceiling. Ironically, this was the part that I was most psyched about, and I probably could have given the presentation myself:

We're currently in a pretty spectacular planetary alignment, a perfect triangle, or a grand trine, between the planets Mars in Virgo, Venus and Jupiter conjunct in Taurus, and Pluto in Capricorn (From our location, we can see all of these besides Pluto). This arrangement of planets hasn't been seen since around the Revolutionary War, and the significance of it astrologically is pretty astounding. This particular patterns fall in Earth signs, and with Pluto in Capricorn, it shows that what is superficial will fall, and what is real and grounded in permanence, rather than temporary materialism, will prevail. Like the American Revolution, a new political dynasty is in the process, as the old one crumbles apart due to dishonesty and greed. Several asteroids fall into this grand trine, including a conjunction between Psyche and Eros(Lovers by instinct in Greek mythology, a synchronicity between action and thought. These two belong together, so with Virgo and Mars, lifestyle decisions will help formulate and lead people's lives in directiosn that will benefit and maintain them), Amor conjunct Pluto (True love for planet Earth, and a generation of revolutionists), and then the grand trine is turned into a kite via Chiron in Pisces (Leading into Virgo, action becomes healing for mankind and an opportunity to experience the mysticism of human creativity). Even not to acknowledge this formation astrologically, no one can deny the beauty of the planets' dance.

When I left the museum three hours later, the crazy Portland weather woke me up from my museum daze, and I stretched my legs down Hawthorne Avenue. My first stop along the Haight Ashbury-esque street was a cool artistic, yet handy bicycle shop called Clever Cycles. They had bikes that could fold and compact through three different bends. They also had tall bikes, short bikes, and a special type made out of wood, designed for children first learning how to ride. I watched a little girl scoot around the store on one!
http://clevercycles.com/

After that, I continued walking down Hawthorne until I reached a food cart area with a big tent in the middle. My friend Emma told me about this one stand, Potato Champion, that used to be owned by a substitute teacher from her old high school. The man at the cart said that Nick was full time teaching now, but we had a nice conversation, both Minnesota natives. I tried the Poutine, fries topped in gravy and cheese curds, and then accommodated it with a few sauces on the side (Always the best part, and they had variety!). Very delicious, and an opportunity to try something different when I show Justin, who I'm in Portland with, later this week!

http://www.potatochampion.com/

On the long walk back to the Woodstock area, I stopped at a knitting store, Yarn Garden, and picked up some needles and yarn, to try my hands at something new. I also walked checked out Artichoke Music and Powell's Books (again).

http://www.yarngarden.net/
http://www.artichokemusic.org/
http://www.powells.com/

It was my favorite kind of day, an opportunity to explore the more eccentric areas of the city on my feet!

MLK Dream

I find myself dreaming differently when I spend the nights in new places, and this is as true as ever in Portland, at my Uncle Merle's home. Here is a snippet of one particular dream:

There was an art exhibition in honor of Martin Luther King Jr. and several art students and teachers had set up a display on a stage to honor the man. There were about seven pieces, and they were arranged in the shape of a curving snake, growing progressively larger from the tail to the head. Most of them were made out of stone, and it was cool because each of them seemed to have a different international style. The smallest one was a tear drop carved out of rock, divided to symbolize the balance of yin and yang. There was also a 3 dimensional picture of different poses of MLK, and then the final, and largest piece was an oriental tree that crawled up vertically rather than stretching along across the stage. The tree seemed to be an extension of the the previous 3-d picture, but it blended MLK's silhouettes with the tarnished, noble bark of the tree, frozen in rock. As each artist described the piece that they were representing, a couple of them pushed each other out of the way so that they could say something about a particular piece, which was totally inappropriate for the demonstration. On girl's hand was red when she slapped a stone trying to knock it away from another student. I was positioned at the end, in front of the grand tree, and I described it as: "All of these memorabilia are connected as they represent MLK and his love for peace, and his perseverance for connecting human-kind. The art is just as important as the space between the figures, and this rings true growing into the ancient tree, the bark blooming between the faces, and acting as time and space, bringing together the different poses and ideals of MLK so we as a people can position our thoughts in between these cracks. Room for us is room to roam, and to see how we relate together as a whole, wise words for one community and humanity." Not exactly verbatim, I guess, but I really liked the dream

Tuesday, March 13, 2012

Thomas Jefferson's Birth Chart


I'm a couple chapters into a book on Lewis & Clark's travels across the Louisiana Territory, and I thought that it would be kind of fun to take a close look at the 3rd president of the United States, Thomas Jefferson's birth chart. Undaunted Courage by Stephen E. Ambrose regards Jefferson as a social butterfly and an excellent host. Here is a paragraph from Chapter 2:

Most guests found Jefferson to be the most delightful companion they ever met. He charmed and delighted his political enemies as well as his friends. "Spent the evening with Mr. Jefferson," John Quincy Adams wrote in his diary in Paris in 1785, "whom I love to be with." He later added, "You can never be an hour in this man's company without something of the marvelous." Before the election of 1800, Abigail Adams wrote of Jefferson, "He is one of the choice ones of the earth." (34)

Jefferson's Sun is in Aries on the cusp between the 2nd/3rd house. It's trine to Mars in Leo in the 7th House means that both planets fall in each other's sign, showing that Jefferson thought very highly of those that he dealt with, regarding his partners (business, personal, ...) as equals, and finding value in himself, therefore finding equal value in his day to day communications with other people. Mars then trines his Moon in Sagittarius in the 10th House. Sagitarrius is incredibly cultural, bold, and intense, so via the 10th House of public image, Jefferson truly wore his stories and feats on his sleeve. His sense of action, and mastery of himself, Mars in Leo gives him a creative and noble zest, so his fiery sense of humor was definitely the talk of the town. Obviously, there is more though! Uranus, his chart ruler (As well as Saturn ruling Capricorn, but I'll get to that), gives him a genius eccentricity, and sometimes his wiz attitude could take over conversation, for it's connection to Mercury in Pisces (Uranus is in the 12th, Pisces' home) allowed fluidity to even his more eccentric thoughts, yet Uranus' square to the Sun sometimes didn't give his ideas room to the public eye, and the value of his words didn't express themselves as well, except to his more learned guests and friends. Capricorn's ruler Saturn conjunct Jupiter (Ruler of 11th), square Venus (Ruler of 4th and 9th), square Pluto (Conjunct, and ruler of MC), form a T-square leading into Aquarius in the 1st House. Jefferson was a mighty, yet eccentric host, as well as leader, and the people who stuck with him and paid him heed, despite him being a bit of a crazy, were the ones that accommodated for his need for partnership, and therefore helped him grow into the independent that he was, the president of the people.

Jefferson was famous for entrusting him close friends, Merriwether Lewis and William Clark to explore the unknown parts of the country and find a trail leading to the west coast. He took their voyage as an extension of his presidency, a quest into the unknown. I see this especially with Neptune (Ruler of 2nd) in the 6th house trine Pluto in the 9th, conjunct the MC, as well as the conjoining T-square. Hard work requires faith in friends, and the value associated with expansion and exploration into the unknown, creating generational, idealistic change. Jefferson's signing of the Declaration of Independence, and also his liberal position regarding slavery, can be seen through this too, with the helpful addition of the healing Chiron, directly conjunct Neptune in the 6th. Slavery was a day to day regime, so it was represented by the 6th house of work and vocation. Also, because it was a standard of the day, it was sort of occult, in a sense, so to be conjunct Neptune is to heal a dark stab within society. The fact that this planet and asteroid are both fairly slow-moving, and therefore generational, gave the preseident much help in terms of his idea toward societal progress. Pluto conjunct the MC shows that Jefferson had a generational effect of peeling the ground forward, which is something that he was heavily remembered for, as well as his respect for fellow man.
I feel as if I knew the gentleman as a friend. 'Merica! Respect!

Peace, Edward

First Post

The University of Puget Sound has an unusually early Spring Break, so my friend, Justin, and I are spending a few days staying at a relative of mine's home in Portland. It's a few blocks walk from the "hip" areas, so, at the moment, I'm currently posted up in Powell's Books on Hawthorne, which, according to most Portlanders, is apparently the place to be. Justin is out on the town visiting friends at Portland State, while I'm using this time to organize my thoughts, ironically extending them onto a new sort of template (This blog) via the internet. This is something that I've been meaning to do for a while, and my Digital Humanities class assignment (Creating an online persona) is the perfect excuse. I've got quite a bit to say, so hopefully, keeping this blog updated will be a nice incentive.

A little about myself:

I'm 19 years old, and grew up in Hopkins, MN, a town a few miles away from Minneapolis. I lived with my three brothers, and my Mom and Dad, until I moved to Tacoma, Washington last fall to attend my freshman year of college at the University of Puget Sound. I've always been passionate about something or other, from English history, to rock music, to astrology, and what not. I like to read, when I have time, and some of my favorite authors are John Irving, John Steinbeck, Chuck Klosterman, Kurt Vonnegut, Jack Kerouac, and F. Scott Fitzgerald. I like to play music as well, especially the mandolin and guitar, and I enjoy listening to rock, jazz, hip-hop, electronic, classical-really anything good ( :

School really isn't my cup of tea at this point in my life, and I'm searching for a sort of space to really learn about myself and how I work. I'd rather be immersed in my own life, than take classes on things that I don't necessarily think are that important for me, so I'm right now, I'm in the process of planning my summer to an extent and what I'm going to be doing in the fall. I've got a job at a local grocery store in Minnesota, Lunds, so I'll be going back there mid-May. I'm also going to be attending Trillium music festival in northern Wisconsin, and Bella Fiore (I'm going to be biking from Hopkins, if anyone would like to join me) in southern Minnesota later on in May.
http://trilliumfestival.eventbrite.com/
http://bellafiore.bellamusicfest.com/

After working for another month or so, I'd like to travel and stay with family in England for a couple months, and then WWOOF ( http://wwoof.org/) in France, but I'll figure more about that later on.

I'm always interested in chatting, discussing pretty much anything, especially astrology.

Cheers, Edward